Sleep

Lying entwined
An awkwardness of arms
Back to my chest
My wrist crushed
In attempted tenderness

 

© Ian Lilburne 2017

Ambling Alone Through Crowds

Not hurrying
Fixed on a mission
But ambling
Not idly
But in no rush
With purpose
But not an urgent one
Alert to the passing people
Looking for familiar faces
But not seeking their company
Beyond an acknowledging nod
And the weight of their
Accumulated presence
Content
Complete
But apart
Connected
But separate
Contained
But different
Individuated

 

© Ian Lilburne 2011

Poem For Cohen

A bow tie cut in half and a quickly forgotten poem
Buried together in a back garden
A young boy’s epitaph for a too early dead father
An appropriate start for a dark poet of song
A sense of longing and loss imbrued with seriousness

This father, a tailor, bequeathed him the suits
And left him to interpret the scriptures
Free of fatherly strictures
Free too to explore without intermediary
The parameters of what it is to be a man
And to love many women
Fathoming their mystery a lifetime’s quest
His poems and songs field reports from the edge

A deep voice beyond fashion and time
A magnificent oeuvre diligently done
The soundtrack of my soul

 

© Ian Lilburne November 2016

Married Life

In a cafe
A few days back
When my friend
On call
Took a call
Pausing our conversation
I spied an older couple
At a nearby table

They neither talked
Nor looked at each other
He just read the paper
And consulted his phone
Without looking up
Idly, she scanned the room
A sad look on her face
That lifted at the sight of
A peach of a little girl
With her family
At the table between us

The loving look
That washed her eyes
Said that she loved children
I hope she has
Some of her own

 

© Ian Lilburne 2016

The War That Never Ended

The children were told not to stare
Or ask any questions about the war
At night, when he retreated to his bed
They were told to walk on tip toe
Or stay outside lest the thunder
Of their footsteps remind him
Of the gunfire and tanks in the trenches
Or the explosion of shrapnel
That hit him in the face
Leaving him hideous.

Dark in the night
When the children forgot
And made a noise
He’d wake screaming
In the relived pain
That was forever with him.

They called it shell shock
The way he’d change without warning
Turn a complete circle from a kind
Loving man to an angry ghost
And scare them with his shouting.

Haunted
For him the war never ended.

 

© Ian Lilburne 2014

The Woman From The Country

Crouching in her muddy-kneed jeans
A look of open candour in her eyes
She selects then plucks the best rocket
From her well-weeded garden
The girl from the country
No stranger to the earth and its odours

An hour later at the launch
The composed sophisticate
Narrowing her eyes
To focus on the speech
The smooth lines of her face
Now subtly traced with Avena tint
Her cultured tactics in place
The mistress of her domain
Masked to defend
The country girl within

 

© Ian Lilburne 2014

Time’s Relativity

Time accelerates as you get older
A day becomes an hour
A week, a day
And so on …

It’s to do with proportion
The bigger the figure below the line
The swifter the one above
Blink—middle age
Blink—old

‘In my heart I’m still wild and kicking
In my head I’m still seventeen
But in the glass a time bomb’s ticking
I’m heading straight for smithereens’

 

© Ian Lilburne 2012

Self Awareness

Imagine
If just for one hour
You could inhabit someone else’s head
See yourself from the outside
As you really are?
Imagine
How much you’d learn
Seeing all those gestures
You know from the inside,
Smelling your smell,
Feeling your tactile presence?
At once you’d understand
How credible you are,
How well you fill―or don’t―a space,
Why people love and hate you.
Think of all the money
You’d save?
In that one hour
You’d circumvent
A decade’s therapy

 

© Ian Lilburne 2013

Mozart

He got a lot of mileage out of that Z
Three letters in one
W T Z
Mow-t-zart
But not as much as we got out of him
He died a pauper
Was buried in a common grave
His body covered in lime
So it would quickly disintegrate
Leaving no trace
Thank D-g they didn’t throw
His music in with him
Imagine if he’d received
Just one cent for every time
One of his tunes were played?
Not to mention all the kids
At their piano lessons
Would there be enough
Currency in circulation?
Has any moneyed mogul
In the centuries since
Given as much?

 

© Ian Lilburne 2012

Remembering Madrid #2

The small hostel on the Calle de Attocha
In the old part of town
Up the hill from the station
A tiny room with twin beds
Looking over the noisy street

Breakfasts alone before sunrise
In small cafes just off the avenue
My morning ritual
Journal
Black coffee
The summer sunshine banished
By disrupted time

Three days wandering
Medieval alleyways in the Cortes district
And visiting the great galleries

Two nights in tapas bars
And lively cafes
Listening to live world music

One evening walking
The full length of the Gran Via
Its white flood-lit apartments and embassies
Rising majestically above the manic traffic

But mainly my perfect companion
The gentle woman with the soothing voice
And magnificent red hat
Who knows me well enough to keep her distance

 

© Ian Lilburne 2012